Relations between formal text configurations and historical context in stories of Caio Fernando Abreu

Article Sidebar

PDF (Português (Brasil))
Published: Jun 30, 2018
DOI: https://doi.org/10.46866/josshe.2018.v1.n1.36
Keywords:
Caio Fernando Abreu, Narrador, Personagem, Ditadura Militar Caio Fernando Abreu, Narrador, Carácter, Dictadura militar Caio Fernando Abreu, Narrator, Character, Military Dictatorship

Main Article Content

Cyro Roberto de Melo Nascimento
Federal University of Rio Grande do Norte - UFRN

Abstract

The literary work of writer Caio Fernando Abreu has been seen as a portrait of his generation, especially in its relation with the brazilian military dictatorship and the political redemocratization. This text analyzes how the formal resources of omniscient narrator and autoconscious character build, in the short stories Dama da noite and Aqueles dois, a relation between Literature and Society. By means of these specific formal choices, we verify as the narrative represents, not only as theme, but also in a formal level, a transitional historical context, initially configured by social repression and, after, for a political overture perspective.


(Image from São Paulo Review)

Downloads

Download data is not yet available.

Article Details

How to Cite
NASCIMENTO, C. R. M. Relations between formal text configurations and historical context in stories of Caio Fernando Abreu. Journal of Social Sciences, Humanities and Research in Education, v. 1, n. 1, p. 24-31, 30 Jun. 2018.
Issue
Vol. 1 No. 1 (2018): JOSSHE
Section
Articles
Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Author Biography

Cyro Roberto de Melo Nascimento, Federal University of Rio Grande do Norte - UFRN

PhD student in Language Studies, area of ​​concentration in Comparative Literature by the Federal University of Rio Grande do Norte. Master by the same program. Graduated in Law from the Federal University of Piauí (2001) and post-graduated in Civil Procedural Law from Faculdades Integradas Jacarepaguá.

References

ABREU, Caio Fernando. 2005. Morangos mofados. Rio de Janeiro: Agir.

______. 1988. Os dragões não conhecem o paraíso. São Paulo: Companhia das Letras.

BAKHTIN, Mikhail. 2010. A personagem e seu enfoque pelo autor na obra de Dostoiévski. In: Problemas da poética de Dostoiévski. 5. ed. Trad. Paulo Bezerra. Rio de Janeiro: Forense Universitária.

FORSTER, E. M. 1974. Aspectos do romance. 2. ed. Tradução: Maria Helena Martins. Porto Alegre: Editora Globo.

FRIEDMAN, Norman. 2002. O ponto de vista na ficção: o desenvolvimento de um conceito crítico. In: Revista USP. São Paulo, n. 53, pp. 166-182, mar/mai.

https://doi.org/10.11606/issn.2316-9036.v0i53p166-182

LUKACS, Gyorgy. 2010. A fisionomia intelectual dos personagens de artísticos. In: Marxismo e teoria da literatura. 2. ed. Trad. Carlos Nelson Coutinho. São Paulo: Expressão Popular, (s.d.).

REIS, Carlos; Ana Cristina M. LOPES. 1988. Dicionário de teoria narrativa. São Paulo: Ática.